среда, 14 мая 2014 г.

The Great Experience

In this last post I'd like to share my impressions about the course of English Stylistics. The contemporary and innovative approaches to learning the subject facilitated my interest and activity during the whole semester. I think that I've managed to succeed in comprehending everything concerning the course. Knowledge of Stylistics help me to understand the deep meaning of any texts because many important things are usually left beneath the surface. That's why this subject is of great use for any philologist and I'm not an exception! I hope that I'll probably succeed in the exam as well! Good luck everyone!!!

Complete stylistic analysis

Now it's high time for me to put all the parts of jigsaw together and present the complete analysis of the story "The Black Cat" by Edgar Allan Poe.

The story I've chosen is written by Edgar Allan Poe whose works are well-known among those people who appreciate everything which is in a way gothic, mysterious and unexplained. The title of the chosen story is "The Black Cat". Judging by the title, one may give a lot of predictions, because the title itself is quite symbolic. Everybody knows that a black cat usually symbolises misfortunes or evil power.

I knew that stories written by Edgar Allan Poe were of gloomy atmosphere, but I didn’t expect that this one would influence me that deeply though my considerations about the plot turned out to be quite right.
In fact, “The Black Cat” can awake the feeling of, so to say, discomfort in an inexperienced reader, because it is not an easy story to perceive and comprehend. For many people who are mentally healthy it may seem to be the delirium of a madman. However, it’s not a mistaken idea, I might say, because the narrator (who is also the main character) creates an impression of a person whose actions sometimes lack motives, logics and, generally, common sense. He is driven by the “logics” of an alcoholic and it’s vividly presented throughout the story.

Now I’d like to say about the things I like in the story. Several crucial points may be distinguished here:
1.      The atmosphere is created in the best traditions of gothic style (which I adore).
2.      The ending of the story is clear, but still many things remain between the lines or even “behind the scenes”. The remaining mystery gives food for thoughts.
3.      The absence of judgments what is good or bad is also the thing I like. So, the author shows but does not impose his conclusions on a reader. It makes the narrative more objective.

As for the "drawbacks" of the story, they are the following:
- The usage of ornate vocabulary and constructions makes a reader consult the dictionary for almost every word. Though, on the other hand, this very peculiarity also creates a specific charm so that Poe’s style is felt in each sentence.
- The story contains the description of cruelty towards animals (a cat in this case) and the scene of murder. But if they were omitted the story would lose a lot of its singularity.
The distinguished pros and cons are totally subjective, contradictive and do not lay claim to be an absolute truth.
On the whole, I don’t regret my choice and think that “The Black Cat” is worth analyzing, because there are a lot of things which suggest discussions.

Now I'd like to say a few words about the author and his style of writing. Edgar Allan Poe is an American author, referred to the American Romantic Movement and generally considered the inventor of the detective fiction genre. Among his best-known works are: poems “The Raven” and “The Bells”, and short stories “The Pit and the Pendulum” and “The Tell-Tale Heart”. Poe’s way of writing demonstrates stylistic brilliance in the form of varying vocabulary, remarkable repetition, and instrumental imagery. Imagery in Poe’s writing clearly involves readers in the story, and his use of repetition and complex vocabulary ensures that readers understand his themes and implications. By including repetition in his works, Poe places emphasis on certain concepts, informing readers that they are vital to the story’s development. Complex vocabulary serves a similar purpose, highlighting certain themes and requiring that readers devote their attention to them. The inclusion of unique vocabulary also challenges readers to deliberate, instead of simply reading for pleasure.

The next point which I'm going to dwell on is the setting. The first thing I want to mention is that the narrator is much more interested in telling his story without giving details about the time and place of action. In such a way, a reader can make some generalizations that this story could happen anywhere with family couples when one member is an alcoholic.
But still a reader gets to know that the narrator is kept in the jail and writes his last words before the death penalty. As it has been mentioned, he doesn’t give a description of his house though a reader comes across the repeated scenes concerning walls. The only wall remains after a fire in the house of the narrator with a figure of a gigantic cat on it. This event foreshadows the following one when another black cat is buried alive in the other house of the narrator. In the second case the story-teller builds a wall himself in order to hide his terrible crime. To my mind, it’s like a bitter irony in which the black cat acts like an avenger…
Sometimes we build walls in order to feel safety but they usually separate us from the reality and may turn us into escapists. The main character tries to escape, but the reality gives him punishment which he deserves…

Now let's get down to the plot and its peculiarities. In my opinion, the structure of the story is revealed through the following elements which define the peculiarities of the plot:
Initial situation. The reader meets the narrator and gets to know that he is waiting for death penalty because of some reasons and events which have influenced the story-teller greatly.
Exposition. The narrator tells the story of his chilldhood and describes himself being kind and always cheerful, but the situation changed when he became addicted to alcohol and cruel towars animals his wife and he kept.
Complication. The main character kills his once beloved cat, Pluto, by hanging him up on the tree in his garden.
Climax. The fire destroys the house of the narrator at night. His wife, a servant and he manage to escape but now the family is in poverty and they have to change residence.
Suspence. Another cat appears in the story who is like a living copy of Pluto. The narrator brings him home but gradually the cat gets on his nerves (which are alredy shattered by alcohol).
Denoument. The main character decides to kill the cat but his wife tries to protect the poor animal. She manages to do that but the axe is turned on her. The narrator walls up the dead body and feels happy abou the fact the cat left his home.
Conclusion. Policemen find the body due to the cat whose cry they hear behind the bricks. Thus it turns out that the cat has been walled up too.
So, there are 7 elements in the plot structure of the story.

There are not many characters in the story that's why it is possible to mention all of them:

The Narrator, a prisoner scheduled for execution. His loathing of a cat he once loved leads to his commission of a capital crime.
The Narrator's Wife, a woman of agreeable disposition who likes animals and obtains many pets for her husband.
First Black Cat (Pluto), a cat named Pluto that loves the narrator but irritates him when it follows him everywhere.
Second Black Cat, a cat that resembles the first black cat and may be a reincarnation of the latter–or so the narrator may think.
Policemen, officers who investigate the happenings at the home of the narrator.
Servant, a person working in the narrator's household.
As for the narrator, his character is revealed through his speech (1st person narrative) and actions (his behavior) throughout the story. The reader comes to the conclusion that inner world of this man is completely ruined by alcohol and no kindness has remained in his soul. The narrator consider all the events happed to him to be just a twist of fate and he sees no fault of his own. He belives that the cat is the reason of his misfortune.
As for the cat, I would like to dwell upon two of them at a time because I consider the second one to be the reincarnation of the first one. So, I perceive these two characters as one. The black cat is even more a symbol than a character. Usually, people treat black cats as omens of something not very pleasant, but in this story the black cat is the symbol of justice - a power which punishes the one whose life is far from being virtuous.
These characters (the narrator and the black cat) are interrelated in terms of confrontation. All in all, the cat becomes a winner while the narrator's life is almost over.

In order to portray the characters, to describe the setting, to reveal the idea or to render the general mood of the story vividly and convincingly the author of the analysed text resorts to the following devices:

Periphrasis. The words “latter”, “playmate”, “animal”, “creature”, “beast” are employed instead of the word “cat” in order to underline the narrator’s changing attitude towards his pet. “The Fiend Intemperance” is used here to disclose that narrator could not resist temptation to drink, his constant addiction.

Euphemism. "to use intemperate language to my wife" is used be the narrator in order to make his own fault seem softer.

Simile. “All black cats as witches in disguise” is used to intensify the mysterious effect of the whole story. “Disease is like Alcohol” is employed for the purpose to characterize the reason of the narrator’s cruel deeds also it underlines that alcohol enslaves human mind and absorbs his soul.

Metaphor. “I … drowned in wine all memory of the deed” which also clearly shows the narrator’s partiality to Alcohol.
Epithet. "Wild narrative", "equivocal feeling", "cruel deed", "hideous murder" and many other are used to create the gothic atmosphere of the story. They make the narration expressive but subjective because the reader perceives everything through the eyes of the narrator.

Personification. "In speaking of his intelligence, my wife, who at heart was not a little tinctured with superstition, made frequent allusion to the ancient popular notion..." Pluto is characterized as a human whose mind is developed.

Allusion. The name of the black cat is the allusion itself - it refers to Ancient Roman mythology where Pluto is the god of the underworld. In such a way the reader treats the cat as the mysterious creature and it's not a surprise when Pluto "comes back" in order to take his revenge.

Irony. "And now was I indeed wretched beyond the wretchedness of mere Humanity. And a brute beast - whose fellow I had contemptuously destroyed - a brute beast to work out for me - for me a man, fashioned in the image of the High God - so much of insufferable wo! Alas! neither by day nor by night knew I the blessing of Rest any more!" Actually it is the case of convergency when many stylistic devices are used in the short context (inversion, repetion, periphrasis, graphons, etc) but I consider them to serve the only purpose - they create ironical situation. The narrator vividly depicts his sufferings but he doesn't meet reader's compassion but vice versa - the reader begins to despise him even more.

Repetition. “Half of horror, half of remorse” shows that the narrator feels either regret or fear.

Gradation. “More moody, more irritable, more regardless”, “I blush – I burn – I shudder”, “a cry, at first muffled and broken, like the sobbing of a child, and then quickly swelling into one long, loud, and continuous scream, utterly anomalous and inhuman - a howl - a wailing shriek”, “have terrified - have tortured - have destroyed me” which strengthen all that incandescence of the situation.

As we can see, the story is full of stylistic devices which can be found almost in every sentence. But all of them are used mostly in order to depict the situation vividly, to create the special imagery and the atmosphere of the gothic story.

To sum up everything which I've managed to mention, I want still to concentrate on the story itself - its moral and ideas. Poe constructed this story in such a way that the events of the tale remain somewhat ambiguous, but still the reader may figure out author's messages - "The Evil is always punished" and "A person must always remain human". I like the story because it's not just a depiction of something terrible and mysterious (though I like the mystery as well) but it contains the points which appeal to me. By means of gothic style Poe implies the eternal moral of humanism which is no less important nowadays. I see this story from such an angle but at the same time I think it to be the question of never-ending interpretations and everyone may find something which is common to himself. Read Edgar Allan Poe with pleasure as I do it! Find your solutions or even revelations!
THE END

Stylistic devices


In order to portray the characters, to describe the setting, to reveal the idea or to render the general mood of the story vividly and convincingly the author of the analysed text resorts to the following devices:

Periphrasis. The words “latter”, “playmate”, “animal”, “creature”, “beast” are employed instead of the word “cat” in order to underline the narrator’s changing attitude towards his pet. “The Fiend Intemperance” is used here to disclose that narrator could not resist temptation to drink, his constant addiction. 

Euphemism. "to use intemperate language to my wife" is used be the narrator in order to make his own fault seem softer. 

Simile. “All black cats as witches in disguise” is used to intensify the mysterious effect of the whole story. “Disease is like Alcohol” is employed for the purpose to characterize the reason of the narrator’s cruel deeds also it underlines that alcohol enslaves human mind and absorbs his soul.

Metaphor. “I … drowned in wine all memory of the deed” which also clearly shows the narrator’s partiality to Alcohol.

"Wild narrative", "equivocal feeling", "cruel deed", "hideous murder" and many other are used to create the gothic atmosphere of the story. They make the narration expressive but subjective because the reader perceives everything through the eyes of the narrator.

Personification. "In speaking of his intelligence, my wife, who at heart was not a little tinctured with superstition, made frequent allusion to the ancient popular notion..." Pluto is characterized as a human whose mind is developed. 

Allusion. The name of the black cat is the allusion itself - it refers to Ancient Roman mythology where Pluto is the god of the underworld. In such a way the reader treats the cat as the mysterious creature and it's not a surprise when Pluto "comes back" in order to take his revenge. 

Irony. "And now was I indeed wretched beyond the wretchedness of mere Humanity. And a brute beast - whose fellow I had contemptuously destroyed - a brute beast to work out for me - for me a man, fashioned in the image of the High God - so much of insufferable wo! Alas! neither by day nor by night knew I the blessing of Rest any more!" Actually it is the case of convergency when many stylistic devices are used in the short context (inversion, repetion, periphrasis, graphons, etc) but I consider them to serve the only purpose - they create ironical situation. The narrator vividly depicts his sufferings but he doesn't meet reader's compassion but vice versa - the reader begins to despise him even more. 

Repetition. “Half of horror, half of remorse” shows that the narrator feels either regret or fear.

Gradation. “More moody, more irritable, more regardless”, “I blush – I burn – I shudder”, “a cry, at first muffled and broken, like the sobbing of a child, and then quickly swelling into one long, loud, and continuous scream, utterly anomalous and inhuman - a howl - a wailing shriek”, “have terrified - have tortured - have destroyed me” which strengthen all that incandescence of the situation.


As we can see, the story is full of stylistic devices which can be found almost in every sentence. But all of them are used mostly in order to depict the situation vividly, to create the special imagery and the atmosphere of the gothic story. 

The characters

There are not many characters in the story that's why it is possible to mention all of them:

The Narrator, a prisoner scheduled for execution. His loathing of a cat he once loved leads to his commission of a capital crime. 
The Narrator's Wife, a woman of agreeable disposition who likes animals and obtains many pets for her husband. 
First Black Cat (Pluto), a cat named Pluto that loves the narrator but irritates him when it follows him everywhere. 
Second Black Cat, a cat that resembles the first black cat and may be a reincarnation of the latter–or so the narrator may think. 
Policemen, officers who investigate the happenings at the home of the narrator. 
Servant, a person working in the narrator's household. 

As for the narrator, his character is revealed through his speech (1st person narrative) and actions (his behavior) throughout the story. The reader comes to the conclusion that inner world of this man is completely ruined by alcohol and no kindness has remained in his soul. The narrator consider all the events happed to him to be just a twist of fate and he sees no fault of his own. He belives that the cat is the reason of his misfortune. 

As for the cat, I would like to dwell upon two of them at a time because I consider the second one to be the reincarnation of the first one. So, I perceive these two characters as one. The black cat is even more a symbol than a character. Usually, people treat black cats as omens of something not very pleasant, but in this story the black cat is the symbol of justice - a power which punishes the one whose life is far from being virtuous. 

These characters (the narrator and the black cat) are interrelated in terms of confrontation. All in all, the cat becomes a winner while the narrator's life is almost over. 

The plot

In my opinion, the structure of the story is revealed through the following elements which define the peculiarities of the plot:

Initial situation. The reader meets the narrator and gets to know that he is waiting for death penalty because of some reasons and events which have influenced the story-teller greatly. 
Exposition. The narrator tells the story of his chilldhood and describes himself being kind and always cheerful, but the situation changed when he became addicted to alcohol and cruel towars animals his wife and he kept.
Complication. The main character kills his once beloved cat, Pluto, by hanging him up on the tree in his garden. 
Climax. The fire destroys the house of the narrator at night. His wife, a servant and he manage to escape but now the family is in poverty and they have to change residence. 
Suspence. Another cat appears in the story who is like a living copy of Pluto. The narrator brings him home but gradually the cat gets on his nerves (which are alredy shattered by alcohol).
Denoument. The main character decides to kill the cat but his wife tries to protect the poor animal. She manages to do that but the axe is turned on her. The narrator walls up the dead body and feels happy abou the fact the cat left his home.
Conclusion. Policemen find the body due to the cat whose cry they hear behind the bricks. Thus it turns out that the cat has been walled up too. 

So, there are 7 elements in the plot structure of the story.

The Setting

This time I’m going to analyze the setting of the story and comment on its peculiarities.

The first thing I want to mention is that the narrator is much more interested in telling his story without giving details about the time and place of action. In such a way, a reader can make some generalizations that this story could happen anywhere with family couples when one member is an alcoholic.

But still a reader gets to know that the narrator is kept in the jail and writes his last words before the death penalty. As it has been mentioned, he doesn’t give a description of his house though a reader comes across the repeated scenes concerning walls. The only wall remains after a fire in the house of the narrator with a figure of a gigantic cat on it. This event foreshadows the following one when another black cat is buried alive in the other house of the narrator. In the second case the story-teller builds a wall himself in order to hide his terrible crime. To my mind, it’s like a bitter irony in which the black cat acts like an avenger…

Sometimes we build walls in order to feel safety but they usually separate us from the reality and may turn us into escapists. The main character tries to escape, but the reality gives him punishment which he deserves…

среда, 26 марта 2014 г.

EDGAR ALLAN POE - BIOGRAPHY

Edgar Allan Poe was one of the seminal American poets and short story writers of the nineteenth century. Edgar Allan Poe also worked as a literary critic and editor. In his lifetime, he had the distinction of being one of the first American writers with more cultural cache in Europe than in the United States. Edgar Allan Poe studied languages at the University of Virginia and United States Military Academy at West Point; however, he withdrew or was dismissed from these institutions before taking a degree (although at West Point he achieved the rank of cadet.)
The writing of Edgar Allan Poe has influenced diverse writers and thinkers including Charles Baudelaire, Jules Verne and H. P. Lovecraft. Edgar Allan Poe is also seen as being instrumental in the development of the literary genres of Science Fiction and Mystery. The catalog of his writing is diverse and includes such classics as “The Fall of the House of Usher", “The Purloined Letter", and The Narrative of Arthur Gordon Pym of Nantucket.
In 1809 Edgar Poe was born in Boston, Massachusetts to a family of actors. Some suppose his parents chose named him after the son of Gloucester in Shakespeare’s King Lear (which his parents were acting in at the time of his birth.) The events of his early life would inspire Angela Carter to pen “The Cabinet of Edgar Allan Poe." Within a year of his father’s desertion of the family, his mother died of tuberculosis. The Allan family from Richmond, Virginia took in the young Edgar Poe. Edgar Poe was renamed Edgar Allan Poe to represent this new family relation, but he was never officially adopted.
During his first year of attendance at the University of Virginia, Edgar Allan Poe accumulated large gambling debts. Tension over finances led to an estrangement from his foster family. Poe forced to support himself found intermittent work before eventually joining the United States Army. His first year of service was also the year of publication for his first book of poetry, Tamerlane and Other Poems. After two years of military service, he sought discharge to pursue an education at the United States Military Academy at West Point. The discharge was granted with the caveat that Edgar Allan Poe must reconcile with his foster father. The reconciliation was short lived. Within two years, Edgar Allan Poe renewed the quarrel over finances with his foster father. Poe sabotaged his military career through neglect of his duties and disobedience. After his court-martial in 1831, he traveled to New York before returning to Baltimore.
His life was characterized by professional and personal turmoil. His ability to make a living was undermined by a general unwillingness of American publishers to publish new American writers since the lack of strong international copyright laws made it more profitable for to reprint British books. At the age of 26, Edgar Allan Poe married his thirteen year-old cousin, Virginia Clemm. Her tuberculosis (which led to her death in 1847) exacerbated his drinking. Some see this loss (coupled with the loss of his mother) as contributing to the frequent theme in his work of a beautiful woman’s death. This theme is perhaps most famously explored in “The Raven" as the speaker addresses his despondency “for the rare and radiant maiden whom the angels named Lenore." Poe’s story “The Masque of the Red Death" is often also thought to be a reference not only to the Black Death, but also of the contemporary pandemic of tuberculosis.
Even when not acting as a meditation on the death of a beautiful, much of Edgar Allan Poe’s writings are dark and measured. These works often illustrate people on the cusp of a dramatic event; they explore the darkness of human interactions, while offering visions of the sublime. In addition to these dark works, Edgar Allan Poe also wrote satirical pieces. Some of his works also showed a high level of understanding both his audience and the perceptions of reality. The Balloon Hoax was originally published as a newspaper article. Its plot was plausible, and it created excitement and expectation on the emergent hot air balloon technology, which fueled sales of the newspaper it first appear in. However in retrospect it is categorized as early Science-Fiction.
Although Edgar Allan Poe was truly original and singular in American literature, his place in American letters is frequently over shadowed by the expansive works of Walt Whitman and the enigmatic verse of Emily Dickinson. Edgar Allan Poe’s poetry retained the metric structure assumed to be more typical of nineteenth century European verse. Despite the reputation of these other figures, Edgar Allan Poe remains a dominant influence in the world of letters.
In “The Philosophy of Composition"—true to his Romantic leanings, he discusses the nature of writing and the Truth. In this essay, Edgar Allan Poe argues the superiority of poetry over other genres of writing. Poe considers the goal of truth is to satisfy the intellect. He argues that truth and passion are better served by the mechanics of prose than poetry since the truth must be precise and passion must have a homeliness. These forces, Poe warns, are contrary to the mechanics of Beauty, which is the purview of poetry. Poetry is not entirely devoid of truth or passion. However, they are secondary to the primary function of poetry to present a beautiful atmosphere. The poetry and prose of Edgar Allan Poe have cast a long shadow over world literature and philosophy. His particular brand of Gothic literature stands as a reaction to the intellectual trends seen in transcedentalism. He disparaged this line of thought as being pointlessly obscure and ridiculously mystical. He reserved his criticism of the transcendental movement for those he considered to be merely sophists. In contrast, Edgar Allan Poe also viewed didacticism and allegory as problematic. He promoted literary work that had a singular focus and a brevity that allowed a work to be read in one sitting.
The writings of Edgar Allan Poe have helped fuel the works of such Continental Philosophers and thinkers as Jean-Paul Sartre, Maurice Blanchot, Jean-Francois Lyotard, Gilles Deleuze and Felix Guattari, and perhaps most notably Jacques Lacan. Specifically, Lacan lectured and wrote extensively on Edgar Allan Poe’s “The Purloined Letter." Jacques Lacan uses Edgar Allan Poe’s story to explicate the Freudian conception of how the symbolic order constitutes subject through an orientation to a signifier. Lacan further says of the work:
The narration, in fact, doubles the drama with a commentary without which no mise en scene would be possible. Let us say that the action would remain, properly speaking, invisible from the pit-aside from the fact that the dialogue would be expressly and by dramatic necessity devoid of whatever meaning it might have for an audience…
The legacy of Edgar Allen Poe continues through his ongoing popularity as a writer. His work has strong visual and narrative elements that inspire artists and thinkers. Film, radio and television adaptations of his stories and poems have been popular throughout the twentieth century. The influence Edgar Allan Poe has exerted over culture is truly incalculable, Even watching a rerun of The Simpsons may expose a viewer to an animated retelling of “The Raven." Perhaps, the most loving and mysterious tribute to Edgar Allan Poe was the Poe Toaster. From 1949 until 2009 on January 19, the Toaster would leave a trio of roses on Poe’s grave and toast him with cognac. The repeated act of the Toaster is a sign that Edger Allan Poe’s memory was still vivid in the minds of his readers.
Edgar Allan Poe’s short stories include “Hop-Frog", “The Gold-Bug", “Ligeia", “The Cask of Amontillado", “The Pit and the Pendulum", “The Fall of the House of Usher", “The Masque of the Red Death", “The Oval Portrait", “The Murders in the Rue Morgue", “The Purloined Letter", “The Facts in the Case of M. Valdemar" and “The Black Cat."